🛠️ What Even Is a Zoom Room (And Do You Need One)?

A Backroom Blueprint post from d|c|t — practical systems thinking for semi-clued-up churches.

Spoiler: It’s not just a laptop on a table. And no, you probably don’t need one. But someone’s going to ask eventually — so here’s what to say.

Meetings are better when they work

Whether it’s the parish council, the national board, or that hybrid synod meeting where half the room forgot to unmute — church life involves more meetings than most of us care to admit.

And increasingly, those meetings are hybrid.

So the temptation is real: what if you could fit out a room so people just walk in, press one button, and the hybrid meeting actually works — clear audio, consistent camera angles, no laptop limbo or nostril cam?

That’s the dream Zoom Room is selling.

So what is a Zoom Room?

It’s not a subscription plan. It’s not a fancy new version of the app.

A Zoom Room is a room-based conferencing system — a set of hardware and software that connects a physical meeting room to Zoom calls without needing a laptop in the middle of the table.

  • A touchscreen controller (e.g. iPad or proprietary tablet)
  • A mounted camera and microphone setup
  • A large display or TV
  • An always-on mini computer or room console
  • Optional scheduling panel outside the room

You walk in, tap the screen, and the room joins the meeting — often pulling calendar data directly from Outlook or Google Workspace via an integration with your church’s shared calendar system.

In short: it’s a video boardroom, not a portable kit.

⚙️ Note: Microsoft offers a similar setup called Teams Rooms, and Google Meet has its own flavour too. The branding and hardware may differ, but the strategic scenarios — and trade-offs — are basically the same.

Where it shines

If you’re running frequent hybrid meetings in a consistent space, room-based systems like this can be:

  • Reliable: One-button join. Minimal faff.
  • Clearer: Fixed microphones and mounted cameras usually beat a laptop mic from across the room.
  • Professional: Particularly useful when meeting funders, denominational leaders, or the bishop.
  • Integrated: Book the room in your church calendar, and the video call link is already there.

It’s also brandable, secure, and surprisingly slick — when it’s installed right and your internet doesn’t hiccup mid-motion.

Where it gets awkward

But here’s the thing. For most churches:

  • Cost is high (the gear + the Zoom Rooms or Teams licence)
  • Setup isn’t plug-and-play — expect an AV tech or integrator
  • Flexibility is limited — designed for meeting rooms, not rearranged parish lounges or multipurpose halls
  • Platform lock-in: You’re committing to Zoom or Teams. No hopping over to livestream the AGM.

And if anything fails — camera, mic, network — you still need someone who knows where the cables go and what not to panic about.

đź§­ Blueprint Considerations

Before you spend the vestry’s annual biscuit budget on a touchscreen panel, ask:

  • What platform does your diocese or denominational office use (Zoom, Teams, Meet)?
  • Is the meeting space wired for consistent power, internet, and display?
  • Will this room be used by tech-fluent staff or rotating volunteers?
  • Can your budget stretch to setup and support?

So… do I need one?

Probably not.

If your main meetings are:

  • Monthly vestry in the lounge, with someone dialling in from their campervan = stick with a laptop and a decent mic.
  • Quarterly boardroom sessions, sometimes hybrid, sometimes not = you might want to simulate a Zoom Room with some carefully set up gear.
  • Frequent, high-profile, multi-location meetings with time-sensitive decisions = then yes, maybe a room-based system is worth the investment.

Just don’t assume that a one-button solution means a no-brainer decision.

Smarter spending

If your hybrid meeting experience is painful, ask:

  • Are your audio and camera setups the real problem?
  • Is someone in charge of the tech during meetings?
  • Are you expecting one solution to work for both worship and meetings? (Hint: they’re different beasts.)

Sometimes a USB boundary mic and a volunteer with a checklist beats $7000 of gear with no one to run it.

Got a hybrid setup that works?

Tell us in the comments — what’s working in your church hall, vestry room, or boardroom? We’re collecting real-world examples for future Backroom Blueprint posts.

Peter Lane is Principal Consultant at System Design & Communication Services and has over 30 years of experience with Technology systems.  We invite your questions, suggestions and ideas for articles.  These can be submitted either through the editor or by email to dct@dct.org.nz.  We also operate a website focused on building a community of people interested in improving how we use technology in churches, located at dct.org.nz.

How to Create Graphics for Websites & Social Media

Buidling the word website (with cranes).
Creating Graphics for websites and Social Media

Among other things, a global pandemic can change the way we communicate.  The Covid pandemic is no exception. Now, it is more important than ever that we know how to create effective graphics for websites and social media.

Before Covid, we went to meetings – now we Zoom.  Before, we printed pew bulletins – now we have an email list and Facebook groups.  Before, we did audio recordings – now we Livestream on YouTube.  Before, we had church notice boards, now we use websites.

Ok, so I’ve allowed myself a smidgeon of hyperbole here.  While all of these were around to a certain extent before the pandemic to a greater or lesser extent, but there is no denying that communication technologies have made substantial inroads into the mind of our society in the last 2 years and we have all come to terms with dealing with “new-to-us” technology and processes in our daily lives.  Wherever you are in your communications journey, it is fair to say that a 1950’s line drawing that has been circulating in a giveaway clip-art collection for the last 50-years stuck next to some typescript probably isn’t going to cut it anymore, not at least for anything with a digital presence.

As webmasters and Social Media authors for churches on a budget, one of the new essential skills we have been expected to acquire is the ability to quickly create good quality graphics for our websites and social media endeavours.  The effectiveness of digital communication is increasingly being driven by the graphics used rather than the content.  In fact, in saying that, I am at risk of showing my age – arguably today’s media is being measured by millenniums and younger by its use of video, even more than by graphic elements.  Coupled with a drive to produce content responsively quickly and (of course) cheaply, a number of graphics authoring tools have appeared and established themselves in the market.  Some of these tools are now also branching into basic video creation as well. So, how do we create graphics for websites and social media? (Not to mention, cheaply)!

Advantages of Graphics

These tools are quick to learn and easy to use, come with copy-right cleared templates and images to get you started quickly and produce output in sizes and colour palettes optimised for various websites and social media platforms.  There are some very good image production programs around now, but they are expensive, are complex and difficult to use (so you have to be trained to use them well) and can take hours to produce one image even if you know what you are doing.  Fundamentally these tools I’m sharing today are about saving time. 

One of the main time-consuming tasks for any comprehensive social media strategy, even if you have an image to start with, is changing the size of the image to suit the different requirements of different media platforms.  A Facebook post is optimised for images of 1200 x 630 pixels, but on LinkedIn, a post is optimised for an image of 1200 x 1200 pixels, and different requirements for other platforms.  Most platforms will do their best to adjust for non-optimal images, but you may lose information or legibility in the process.  The upshot is if you are using any sort of multi-platform media strategy, you spend half your time adjusting the sizes of your images for different platforms.

Finally, a few last notable features.  Most of these tools are built for collaboration, so you can invite others to contribute to your artistry.  Whether this is a couple of arty friends to get down and dirty with you in the design process, or just sharing the final version with Parish Council for approval, this is a key capability for many people.  Also, have links to internet just-in-time printing services, so you can order tee-shirts, coffee mugs, carry-bags and many more merchandise items to be printed with your design (for an additional cost, of course).  But an easy way to organise youth group tee-shirts, posters and similar items.

Graphics Programs

So here are descriptions of 3 examples of this type of solution.  There are many, many more but I’ve chosen these as being reasonably representative of the ones I’ve come across. 

Canva – In graphic design circles, Canva is generally considered the gold standard for others to aspire to.  It is reasonably priced and has a great selection of images to choose from.  Perhaps the best feature for the readers of this article, it has a non-profit program accessible to NZ Charities, offering free use of their Pro paid version if you register your organisation with them.  I use Canva a fair bit for website work – some of which is on the NZ Lay Preachers website (nzlpa.wordpress.com) e.g. the “Don’t Miss Out” badge on the front page at the moment.  Canva is particularly good at taking a graphic and then allowing you to quickly go through the process of re-sizing and adjusting for different Social Media platforms.

Visme – this is the tool I’ve used least of these three.  It has a growing presence in relevant discussion groups and is a leader in that it is promoting itself directly as a video tool with graphics capability rather than the other way round.  While Visme feels a little different to use than the other options, it is by no means difficult – especially if you come to it with no history of the alternatives.  They have a good selection of useful articles in their knowledgebase, including the most comprehensive listing of what image sizes you need to use for which social media platform I have ever come across.

Snappa – I have used Snappa largely for YouTube work (video thumbnails, channel headers etc) because it has some very intentional features to support YouTubes requirements.  Otherwise, it is quite similar to Canva.  One area I haven’t had a chance to use much as yet is the capability to automate your social media posts (paid version only).  Once you complete your graphic, you can ask Snappa to post to each platform you use at a specific time and date.

Comparison Summary

 CanvaVismeSnappa
Websitehttps://www.canva.com/https://visme.cohttps://snappa.com/
Preset Social Media dimensions for posts and imagesYesIs aware – templates are pre-sized correctlyYes
Free Version limitations5GB storage; selected templates100GB storage; selected templates; Visme logo on outputsLimited to 3 downloads per month
Cheapest pay-monthly planNZ$19.99 per mth~NZ$17.90 per mth; (USD12.25)~NZ$14.60 per mth; (USD10.00)
Video capabilityYesShort videos & Animations 
Non-profit programPro Free for NPs listed on NZ Charities Commission Register25% discount; no info on eligibility 
Remove Image Background toolOn paid plansNoYes
Free copyright-cleared stock photosYesYesYes
Automated Social Media postingOn paid plansImmediate Post only, on paid plansOn paid plans

I hope this article helps you find a way to quickly create graphics for websites and social media. I encourage you to share your results as a comment to this blog for the inspiration of us all.

Author - Peter Lane

Peter Lane is Principal Consultant at System Design & Communication Services and has over 30-years’ experience with Technology systems.  We invite your questions, suggestions and ideas for articles.  Submit these either through the editor or by email to dct@dct.org.nz.  We also operate a website focused on building a community of people interested in improving how we can use technology in churches, located at www.dct.org.nz. 

A quick guide to using microphones effectively; a presenter’s perspective

A lot of us never need to get behind the business end of a microphone. But for those who have to present regularly, it is important to have a basic understanding of how different microphones work. Then we are able to adapt our speaking technique to suit the microphone in front of us as we deliver our message. This is a quick guide to using microphones effectively for presenters of all ages!

Microphones are components in virtually all audio systems.

Thus, you’ll hear about studio microphones for recording and PA microphones for live sound. There are boom microphones for broadcast or film shoots.  Or instrument microphones which attach directly to guitars or other musical instruments.  Then there are boundary microphones or boundary effect microphones for theatre work or conference systems, lapel mics for seminars and business meetings, and headset microphones for telephone call centres. (And this is just to mention a few options). The different types of microphones optimise a range of different requirements in different environments.

That said, all microphones have one thing in common: â€śmicrophones convert a sound wave into an electrical signal in which the voltage and current are proportional to the original sound”.  To perform this task microphones use a thin membrane, known as a diaphragm, which mimics the function of the human eardrum.  Sound waves strike a microphone’s diaphragm and cause the diaphram to move. Harnessing this movement creates an electrical signal.

A sound is essentially a change in pressure that varies in specific ways over time to create specific sounds (sound waves).  When sound waves strike a microphone’s diaphragm, they cause it to move, which movement, in turn, creates a variance in an electrical current (aka signal).  The electrical signal is transmitted to output devices, which either process the electrical signal (store it, or make it louder, or make it sound like Darth Vader on a bad hair day), or use the signal to recreate sound waves (loudspeakers).

Microphone Types

Microphone engineers, over the course of “recorded” history, have developed 3 fundamental techniques for detecting sound waves and “transducing” sound to electrical signals. 

Dynamic Microphones

A dynamic microphone uses the diaphragm to move a coil of wire within a magnetic field to create the electric signal.  It’s advantages are it’s relative simplicity and good voice frequency characteristics.  A dynamic microphone is quite sensitive to interference from external electromagnetic fields. If your venue has a hearing aid loop, you don’t want to try dynamic microphones. 

Condensor Microphones

A condenser microphone uses the diaphragm to move one side of a capacitor plate thus causing the capacitance to vary. This creates an electric signal.  The advantages are it has good resiliency, can cope with large variances in the sound loudness and tends to have a larger frequency response.  Condensor microphones are often used for instrument microphones, however, are the basis for many vocal microphones as well.  The disadvantage is that the capacitor requires a power source to keep it charged. Therefore, a condenser microphones require either batteries or a power supply delivered from the connected equipment. 

Ribbon Microphones

Ribbon microphones consist of a thin strip of metallic foil suspended in front of a magnetic plate.  Sound waves cause the foil to vibrate, producing fluctuations in the electrical current, creating the audio signal.  This extremely sensitive configuration picks up a wide range of frequencies and produces an extraordinarily rich representation of the original sound.  The trade-off for this sensitivity is the delicacy of the mechanism – ribbon microphones are very sensitive to physical impacts and power overdrive.  (Oh, and very expensive).

System Engineering

The other factor that effects using microphones is the system engineering.  A system engineered for voice reinforcement usually uses rather sensitive microphones and try to “hide” the microphones away so they don’t distract from the presenter.  A vocal microphone for a rock band vocalist, by contrast, can have much lower sensitivity. In this case, however, the microphone is held within millimetres of the vocalist’s mouth. This means that the microphone “hears” only the voice and not the other instruments around it. 

Principles for Presenters

So, as a speaker/presenter, how do you make sure you are heard and understood?

  • Learn to recognise – or at least be able to take a good guess – at what internal configuration and pick-up pattern the microphone has.  If you have the opportunity to research beforehand, do so.  Then adjust your speech style accordingly – speak “firmly” to dynamic microphones, but more relaxed and rounded to condenser microphones.
  • When you have a sound operator, work in cooperation with them. A good sound operator will usually have a better understanding of the capabilities of the microphones they can offer.
  • While standing normally, move the microphone so you are “looking down the barrel” of the microphone.  If you can’t move the mic, move yourself.  For guidance in using voice reinforcement systems, a hand-held microphone should be about a handspan from your mouth.  Stand-mounted or Lectern mics should be about 15”/400mm away from your mouth.  A microphone on a stand will typically be setup for voice reinforcement. Taking the microphone off its stand and useing it as a hand-held will result in excessively loud sound-levels. A good sound operator can help here. However, don’t assume they can read minds, so try to give them some warning what you intend to do.
  • Ensure your voice production is clear and controlled.  The microphone doesn’t make the sound for you – it reinforces the sound you make.  If the sound you make is muddy, mumbled and unclear, so will be the amplified sound.
  • Watch your dynamic control.  By all means express yourself dramatically – just stay within the bounds of the system capability. If all your drama only bursts your audience’s ear drums, they won’t “hear” anything else. In either sense of the word.
  • Watch you don’t move off orientation to the microphone. It’s fine to walk around if you are comfortable with that – so long as the microphone walks with you and stays properly oriented to your mouth.  (If you are able, use a wireless microphone such as a lavaliere clipon, developed specifically to address this issue. However, they still need care to setup and use.)  Some microphones are more tolerant than others, but just turning your head can make a big difference.

You speak to deliver a message – don’t let the technology become a distraction to that message.

Carols by Smartphone Light

Free Christmas Carol App

I thought this was topical – We Are Worship in the UK (part of Integrity Music) have made available this free Christmas Carol App. If you need Christmas carol lyrics on a smartphone, this App might prove useful. Complementary resources (sheet music, lyric videos etc) are available from the We Are Worship website.

Available for both Apple and Android, the app lists the words to lots of favourite carols, and some modern options as well.

Given most fire departments frown on candles lighting anything, this can give a modern twist to your next carols service, and assist keeping the environmental impact of such events low, with no need to print song sheets. I suspect if you use this in public, it would be worth having the musos thoroughly check the words match the tune they intend using …

The app allows each user to customise the size of text and colour scheme used for the words so it can best suit their particular vision needs or fashion sense.

The app is available via , or search your app store for “carol words”.